For an introduction to what goes on in this column, click here.
To see the first part of this Zitron Art Deco challenge, click here.
I’ve been looking forward to this part of the challenge. Weaving with self-patterning yarns is always a total gas. You can do the simplest possible weave and still get effects that make your heart flutter.
June has been, as usual, an on-the-go month with more time spent away, teaching, than at home. That means all projects must be portable. The smallest loom I own is this one.
It’s a Schacht Zoom Loom, John Mullarkey’s updated take on the venerable handheld pin loom. Pin looms of various sizes have been around for ages; the Zoom Loom is distinguished by being particularly light, tough, and comfortable to use. Most pin looms give me a cramp in the hand after a square or two. This one doesn’t.
Pin loom weaving is simple, an excellent point-of-entry for the newbie; but the end product is handsome enough to make it a useful tool for any weaver.
You warp in three stages…
…wrapping the yarn around the pins, right off the ball.
Then, with the included long weaving needle, you weave.
Weaving can be plain or patterned. Given that Zitron Art Deco is already patterned, I chose to keep the weaving plain.
Now, one challenge presented by a pin loom is that you cannot adjust the spacing of the pins, which means you cannot change the sett (the number of yarns per inch) of your finished fabric. Art Deco is a bit slim for the sett of the Zoom Loom, and right off the loom what you get is fabric that’s very open and a bit unstable. The weaving term for this is “sleazy.”
Well, okay. This is a challenge, after all–and that means experimentation. If you’re not a weaver (yet), the finishing process for handwovens may startle you. Handknitting and crochet are most often blocked gently, with the wet fabric shaped carefully hand or stretched gradually on cords, pins, or wires. Woven fabric, however, is often soaked and then pummeled mercilessly either by hand or by machine.
A naughty voice inside my head said,
and so I did, which gave me this pile of soggy squares.
Then the voice said,
and I did. I put them through a full cycle in a HOT dryer. A brazen violation of the washing instructions on the label. Did I feel guilty about this?
What I got were squares that were wrinkled, yes, but also pleasantly firm. (A quick press with a warm iron got rid of the wrinkles.)
I decided to firm them up a tad more with quick edgings of single crochet, using a Size 2.75mm hook, working all stitches under the first thread in from the selvedge.
Then I started joining them with more crochet. Little bitty flowers.
I had no plan here. I think I was high on the fumes from the dryer. Because after a considerable amount of time I had made this…
…which, frankly, is one of the ugliest things I have ever made. What’s the superlative form of ugly? Fuglissimo? What the hell is this, anyway? Is it a garment? I wouldn’t wear it. I wouldn’t let you wear it. I wouldn’t polish my boots with it.
There’s just too much going on. You got the lumpy little flowers, some of which (again, I blame the dryer fumes) are backwards. You got the chain stitch diamond at the center, where I didn’t know what else to do. Plus you got all the color going this way and that.
No. Horrid. Do over.
I rearranged the squares
and joined them with simple slip-stitch crochet, using a size 3.25mm hook. That meant the slip stitches were just a little too small to allow the squares to lie flat, creating a gathered fabric.
Then I put the whole piece through the wash-and-dry process again, just to be a little dickens.
Now I think we have…well, not something. But at least the start of something.
In two weeks, I’ll wrap up my part of the Zitron Art Deco challenge with a look at the knitting, crochet, and weaving stages; and I’ll introduce Stage Four– a challenge for you. With prizes, of course.
Tools and Materials Appearing in This Issue
Zitron Art Deco (80% Virgin Wool, 20% Nylon; 437 yards per 100 gram ball). Shown in Colors 01, 03, and 05.
Bohin Embroidery Scissors (shown in red)
Designer, teacher, author and illustrator Franklin Habit is the author of It Itches: A Stash of Knitting Cartoons (Interweave Press, 2008). His newest book, I Dream of Yarn: A Knit and Crochet Coloring Book was brought out by Soho Publishing in May 2016 and is in its second printing.
He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat. He will lead his own knitting cruise to Bermuda in September, 2018.
Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.
He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).
Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.