Fridays with Franklin: Welcome Wagon, Part Two (includes Five Hour Baby Jacket pattern)

fwf-logo-columnsizeFor an introduction to what does on in this column, click here.

For the previous installment, and an introduction to the Five Hour Baby Jacket, click here.

Rosamund’s worries were unfounded. I finished the jacket for Upstairs Baby in due course, and he came down for a fitting.

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Upstairs Baby didn’t say much of anything about the jacket; he was too interested in his fingers and Rosamund kept licking his toes. But his mother was enormously pleased. The fit is spot-on. Upstairs Baby is about two-and-a-half months old; exact finished measurements are in the pattern below.

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Speaking of the pattern…

The biggest difference between the original and my version is the closure. The original (and all the subsequent variations I have found) have simple buttonholes made with yarn overs. Upstairs Baby’s has a single button-and-loop closure, because that’s what his parents said they would prefer.

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The closure is extremely easy to make. The most difficult part is choosing the buttons. Skacel Buttons offers so many that Makers’ Mercantile is still in the process of adding them all to the online shop.

I used shank buttons; but whether you choose a shanks or flats, I highly recommend that you also use button backers on this or any other piece of knitwear. Backers add strength and stability. They can be purpose-made, or you can use (as I have here) plain, flat buttons out of your button stash. I’m guessing my grandmother cut these off an old shirt in the 1980s.

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The stitch counts and gauge in this version differ from than those in the original. If followed exactly, the numbers in the original worked in a slender yarn at the recommended gauge of 4 stitches to the inch yield a very open, slack fabric. That’s not to my taste, and Chicago babies need warmth.

I want to be very clear that I do not consider the pattern that follows to be in any way an improvement on the original, which is a wonderfully clever and practical design. Aside from the changes noted above, all I’ve done is try to make the instructions very (very very) explicit, based in part on the questions that newbies left most often in the comments on other versions I’ve checked out. They may be annoyingly explicit for experienced knitters, who may find (for example) that the markers which set off the seed stitch borders are unnecessary.

If that’s so, that’s okay by me. Take the bits you like, set the rest aside. Do what suits you. That’s what patterns like this are for, after all.

(And by the way, though I’ve done my best to keep the errors at bay–well, you know how it is. Drop a note to Makers’ Mercantile if you find a goof, and we will correct it. Thank you!)

Franklin’s Five-Hour Baby Jacket: Yet Another Variation on the Theme

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Yarn

The sample was knit with 6 balls Zitron Gesa & Flo **held double throughout**. Note that knitting with a single strand of Gesa & Flo will not give you a sweater of the desired size.

You may substitute any yarn that will give you the indicated gauge and a fabric that makes you happy. Worsted weight yarns are a good bet; you might also test sport weight and aran weight yarns to see if they will work–yarn weights are notoriously shifty.

I recommend both HiKoo Simpliworsted and HiKoo CoBaSi Plus. The latter is especially nice for those who live in climates where wool might be too hot.

If you do not take the time to knit a gauge swatch, your finished sweater will end up becoming a gauge swatch.

Needles and Notions

1 circular needle, length about 24 inches, size US 6 or size needed to give you proper gauge; always take time to check your gauge

1 16-inch circular needle or one set short straight needles of same size as the circular above

two small buttons (sample uses these, size 18mm in silver finish)

7 stitch markers

2 rigid stitch holders (recommended) or 2 lengths of contrasting scrap yarn

blunt tapestry needle

scissors (these, from Bohin, are my current favorites for keeping handy in my project bag and sewing box)

Gauge

5 sts and 7 rows = 1 inch in stockinette stitch

Finished Dimensions

Chest: 18 inches
Body Length: 9 inches
Yoke Depth: 3 inches
Arm Length: 7 inches
Arm Circumference: 6 inches

Notes

Seed Stitch. This very simple texture pattern is used in the collar, cuffs, and hem instead of the garter stitch found in the original version. Seed stitch is usually worked on an even number of sts as follows:

RS: (K1, p1) across.
WS: (K1, p1) across.

When worked across an odd number of sts (as in the collar), the texture is symmetrical, with a k1 at each end.

kfb (increase). Knit into the front of the st in the usual way, then into the back. Makes 1 new stitch.

m1 (increase). Cast on 1 new st by making a backward loop over the tip of the right needle (sometimes referred to as the loop cast on, thumb cast on, or “e” cast on).

Instructions

Yoke
Using the method of your choice, co 39 sts. (Model shown uses the knitted CO.)

Rows 1-4. Work in seed stitch (see “Notes,” above), ending each row with k1.

Row 5 (WS). K1, p1, k1; place marker; p to last 3 sts; place marker; k1, p1, k1. (Note that the first 3 and last 3 sts of all yoke and body rows–the stitches outside these two stitch markers–will be worked in this way, including WS rows. Assume that these markers will always be slipped when you encounter, them unless otherwise noted.)

Row 6. K1, p1, k1; *(kfb, k1), rep from * to last 4 sts; kfb, k1, p1, k1. (56 sts)

Row 7. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 8. K1, p1; k to last 2 sts; p1, k1.

Row 9. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 10. K1, p1, k1; *(kfb, k2), rep from * to last 4 sts; kfb, k1, p1, k1. (73 sts)

Row 11. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 12. K1, p1; k to last 2 sts; p1, k1.

Row 13. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 14. K1, p1, k2; *(kfb, k3), rep from * to last 5 sts; kfb, k2, p1, k1. (90 sts)

Row 15. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 16. K1, p1; k to last 2 sts; p1, k1.

Row 17. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 18. K1, p1, k2; *(kfb, k4), rep from * to last 6 sts; kfb, k3, p1, k1. (107 sts)

Row 19. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 20.  K1, p1; k to last 2 sts; p1, k1.

Row 21. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 22. K1, p1, k3; *(kfb, k5), rep from * to last 5 sts; k3, p1, k1. (124 sts)

Row 23. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 24. K1, p1; k to last 2 sts; p1, k1.

Row 25. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 26. (On this row, you will place additional markers to indicate the fronts, back, and sleeves.)

K1, p1, k5, m1, k6, m1, k6, m1, k1, place marker. (23 sts for front)
K1, m1, k7, m1, k6, m1, k7, m1, k2, place marker. (27 sts for sleeve)
K2, m1, (k7, m1) 2x, k6, m1, (k7, m1) 2x, k2, place marker. (44 sts for back)
K2, m1, k7, m1, k6, m1, k7, m1, k1, place marker. (27 sts for sleeve)
K1, m1, k6, m1, k6, m1, k5, p1, k1. (23 sts for front)

Row 27. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 28. K1, p1, k1. Knit across, inc by m1 before and after the 5 markers you placed in Row 26. DO NOT inc before or after the border markers you placed in Row 5. (152 sts)

Row 29. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 30. Repeat Row 28. (160 sts)

Row 31. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Sleeves
Work across right front as follows:

K1, p1, k1, slip marker, k22. Place these 25 sts (and the marker) on a stitch holder or length of scrap yarn. Remove the marker that indicates the beginning of the first sleeve.

**Begin sleeve (RS row):

(K1, kfb) 2x, k to 4 sts before next marker, (k1, kfb) 2x. Remove marker.

With second set of needles, work these 35 sleeve sts in stockinette st (k all RS rows, p all WS rows) for 26 more rows, ending by completing a WS row.

Decrease (RS) row:

K2; (k2tog, k3) 6x. (29 sts)

Purl 1 (WS) row.

Work in stockinette stitch (all RS rows, k; all WS rows, p) for 5 more rows.

Work in seed stitch (see “Notes,” above) for 4 rows, or for 8 rows if a turned-back cuff (shown on model) is desired. End each row with k1.

Break working yarn, leaving a tail of 10-12 inches.

With RS facing, join working yarn and k24 sts; m1; k across the remaining 24 sts before the next marker. Remove marker.

(IMPORTANT NOTE: the m1 in this row is designed to give the body an odd number of sts, and maintain the symmetrical seed stitch at the borders and hem. If you are adapting the pattern for yourself, and your border/collar/hem pattern does not require an odd number of sts, omit this increase and simply knit across the 48 sts of the back.)

The original pattern suggests that the back sts now be placed on a holder. I find I am able to leave them where they are on the circular needle cable, and knit the second sleeve with the same needle. Do whichever you prefer; what follows will be the same either way.

Return to ** and work the second sleeve exactly as the first.

Body
With both sleeves complete and with RS facing, join working yarn and work across remaining 25 sts (left front), ending with k1, p1, k1. This completes the first (RS) row of the body.

In the next row, you will join the live stitches on the needle to the back and right front sts that have been placed on holders. To do this, either knit them directly from the holder; or slip the empty left needle into the held sts from left to right, removing the holder once they have all been transferred. Take care not to twist sts as you transfer them.

Row 2 (WS). K1, p1, k1; p to last 3 sts; k1, p1, k1.

Row 3 (RS). K1, p1; k to last 2 sts; p1, k1.

Row 4. K1, p1, k1; p to last 3 sts; k1, p1, k1.

Rows 5-28. Repeat body rows 3 and 4. In Row 28, remove markers.

Work 8 rows in seed stitch (see “Notes,” above), ending each row with k1.

BO.

Seaming and Blocking

Sew underarm seams using tails from BO. Weave in ends. Soak and gently block.Allow to dry completely. Embellish if and as desired. (For information about the embroidery in the sample, click here .)

Loop-and-Button Closure

With circular needle (or a pair of double-pointed needles of the same size) CO 3 sts and work i-cord for a length of five inches. BO, leaving a 6-inch tail.

Using the CO and BO tails, sew the i-cord into a loop on the left-hand lapel of the jacket as shown, just below the final round of yoke increases.

Sew one button where the ends of the loop come together on the left front, and another in the corresponding place on the right front.

Tools and Materials Appearing in This Issue

Zitron Gesa & Flo Yarn (100% Ultra Fine Merino. 98 yards per 25 gram ball) shown in Color 08, Pastel Lavender.

Schoppel-Wolle Edition 6 Yarn (100% Merino extrafine Superwash wool; 328 yards per 50 gram ball) shown in Color 2296, English Garden)

Metal Dragonfly buttons by Skacel Buttons (shown in 18mm, silver finish)

About Franklin

Designer, teacher, author and illustrator Franklin Habit is the author of It Itches: A Stash of Knitting Cartoons (Interweave Press, 2008). His newest book, I Dream of Yarn: A Knit and Crochet Coloring Book was brought out by Soho Publishing in May 2016 and is in its second printing.

He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.

Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue KnittingYarn Market News, Interweave KnitsInterweave CrochetPieceWorkTwist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.

He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).

Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.

Follow Franklin online via Twitter (@franklinhabit), Instagram (@franklin.habit), his Web site (franklinhabit.com) or his Facebook page.

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A Little Change of Plans

Last month I had big plans…I was going to stitch a bear. I had a great family story to go with it.

I had Mom help me cut out the fabric. It’s velvet and it’s so pretty. It reminds me of Victorian crazy quilts.

I stitched carefully. I haven’t done a lot of hand sewing like this so I tried to get the stitches even…

And then Mom and I realized I really don’t have enough sewing skills for it to be my project and not Mom’s project. It was frustrating. I wanted to share my Great-Grandmother’s quilt and the bear my Grandmother made from it.

Mom knew I was struggling so she told me a couple of good stories and we decided that with the legacy of making things there is also a legacy of being frustrated when things don’t go as planned. Mom says she can remember Grandmother hurling her sewing across the room a time or two. And Great-Granny evidently tried to wallpaper the ceiling one time and when the paper kept falling down she beat it senseless with a broom. I’ve even seen Mom rip out knitting when she was angry…she probably could have saved it but got mad at her work and started over.

The other thing Mom did was send a text to Franklin…and he said “it happens all the time”and that made me feel so much better. I’ve goofed up stuff before, but not when we had a deadline, and people expecting my work. And I’m going to finish the bear… But I’m going to learn more and take my time and get it right.

I still wanted to keep my quilt theme, so Mom helped me brainstorm a new plan. Kyle sent me a bag of fabric scraps from Makers’ and challenged me to do something with them. So I got out the bag and first thing I did was pick out all the scraps with cats. Cats are my favorite.

And then I got a big letter C.

I did the inside and outside edges in polka dot scraps because I didn’t have enough cat scraps. I think it makes the cats show up better too.

And I laid out the whole top so I could see where to place the cats. I wish I had a bunch more of the fabric with the little cats all over it. I love that one.

The other challenge I had was figuring out what to do with the two bigger cute cats.

I used tacky glue and a foam brush. The brush helped the glue go on really smooth and made it easy to wrap fabric around the sides and edges. I think I’m going to hang it in my room but it looks pretty cool in my Great-Grandfather’s chair. And isn’t it sweet where the two little cats have their tails making a heart?

My Great-Grandmother loved quilting so I think she’d be happy I found a way to use scraps to make something. She raised 6 kids and lived through the Depression so she had to mend and use what she had.I’m glad her creativity has been passed down to me.

 

 

Here’s a picture of my quilt bear. My Great-Grandmother made this quilt a long time ago. Mom thinks its close to 100 years old. In the 1980’s Grandmother made bears for Mom and her cousin.

I have made ten more hats on the addi® Express for our local shelter. I love being that I can make really nice hats quickly. If I had to knit them by hand it would go slower and I might not have time to do very many. Next month I am sharing an Easter craft… We’re going to marble Easter eggs! Did you know Makers’ Mercantile® has paint? I can’t wait to try it.

And today I’m going to leave you with a quote from  Benjamin Levisay. “The only thing better than being creative is being kind to each other. The good news is we can do both.” I hope that we all find opportunities to do both until I share again next month.

 

-Cee Cee

 

Select fabrics featured in this project:

Seven Islands Inc. CoCoLand Cats 100

Seven Islands Inc Kiyohara Canvas 85 Cotton 15 Linen Grey with Cats

RJR Fabrics Crazy for Dots & Stripes – Black Dots on White 45″ Wide


ABOUT 

CeeCee1Cee Cee Creech is growing up in a home full of creativity. Mom BeLinda loves making things, and Cee Cee loves it too. In 2011, Cee Cee changed their lives when she wanted to knit elephants to comfort the residents of Joplin, MO after a tornado destroyed their town.

This mom/daughter team has raised thousands of dollars, and made/distributed toys for charities all over the world. Today, Cee Cee is a high school student, curious maker, and the teen craft ambassador for Makers’ Mercantile. Follow their adventures on the Craft Corner.

Fridays with Franklin: Welcome Wagon

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As I mentioned last time, progress on the cross-stitch cushion has been temporarily halted due to the arrival of a new neighbor, to whom I shall refer in this space as Upstairs Baby. I haven’t got any photographs, but this is the general idea.

upstairs-baby

Upstairs Baby is the second, newborn child of the same couple who brought us Rosamund’s best pal, Little Girl Upstairs.

They are a lovely family and we adore them. Rosamund has been particularly excited to have a baby to play with, even if so far all the baby does when presented with the finest of chewy rubber bones and slightly mauled stuffed otters is lie in his basket and coo.

Clearly, a child of such quality must be in need of knitted clothes. We have undertaken to address this with all due haste.

Not that all due haste is enough to satisfy Rosamund, who has been perched on my shoulders, supervising.

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“Is he done yet? Why isn’t he done yet? He needs to hurry up. That weird bald puppy upstairs must be so chilly. “

I don’t know how she puts up with me.

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“He’s still not finished. Why is this taking so long? I thought he was supposed to be good at this. That bald puppy is going to be grown up soon.”

Time is precious, and so my thought has been to turn out yet another Five Hour Baby Jacket, also known as the Five Hour Baby Sweater.

The best online information available, a preamble to the earliest version I could find, credits the design of this piece as follows:

“This pattern was received by Sue Hulbert, sent to her by Anne Stoddard, was typed in by Jo Azary, and attempted-to-be-posted to the KnitList by Samantha Garbers and finally posted by Jo as Samantha’s post got lost in cyberspace.

Anne Stoddard writes,

‘Here is the explanation that I gave Sue H[ulbert] when I sent her the pattern. In approximate[ly] the year of 1950, I was frequenting a small yarn shop in my town run by two elderly sisters, one of them was very kind to me as she loved that I both knitted and crocheted. She wrote out this pattern for me to knit for my new little sisters that my mother was ‘continuously’ having (VBG). There are 8 of us. The two sisters have since gone to the big Yarn Store in the Sky but I remember their kindnesses every time I knit the sweater. I also gave this pattern to the women in the BAKG that knit for Charity for me and we have produced over a hundred baby sweaters for the maternity home “Siena House” in the Bronx. I sincerely hope that the women knitting from this pattern give at least one sweater to charity as this is what I meant the pattern to be used for.'”

As you would expect of any pattern that has been passed from hand-to-hand-to-hand-to-hand-to-hand for nearly seventy years, variations abound. Most of them fiddle with the yoke, adding or subtracting design elements. Some add a hood. Others include companion booties or a hat. The wording varies, and with it the accuracy and clarity.

I have made five of these jackets, which truly can be worked (if you are a reasonably capable knitter) from start to finish in five hours. However, I had misplaced my printed copy. Then I found that the source I’d used four or so years ago had vanished from the Internet.

No matter, I thought. I’ll just get it from somewhere else.

After the fifth variation from somewhere else went off the rails before I could finish the yoke, I decided I’d work out and write up my own variation–and you’ll find it in this space in two weeks, in the very next column.

Will my variation be better? I’d hesitate to use the word “better.” I will try to make it something you can use without putting a(nother) permanent angry crease in your forehead.

The Yarns

The Five Hour Baby Sweater’s claim to fame is its speed of construction–top down, one piece, minimal seaming.

What I love about it is that it lends itself to alteration and personalization. Do it once, and you’ll start to imagine how you could switch it up with different borders, necklines, stitch patterns, trims, and so forth.

I settled on these yarns for Upstairs Baby’s sweater.

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The lavender is Zitron Gesa & Flo a German pure wool that is both soft and washable. It’s also on the fine side, so in order to meet the demands of the pattern’s gauge (again, more on that next time) I decided to use it doubled, knitting two strands as one.

The other ball–the one with the zillion colors–is Schoppel-Wolle Edition 6, in a colorway (2296, English Garden) that makes my heart sing and that plays well with the lavender. I want to use that to make the sweater a little different, and little more special.

The Basic Model

When knit up in most versions (including mine) the sweater is simplicity itself. Just a little stockinette cardigan collar and cuffs in something contrasting. The original uses garter stitch; I switched to seed stitch.

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For embellishment, I decided to indulge myself with more embroidery. Embroidering my knitting is my current obsession. You may have gathered as much, as I’ve used it on the cushion cover, on Rosamund’s most recent sweater, and on the freeform crochet scarf, and so forth.

Running and Running

I could have gone bananas with covered the whole body and yoke in flowers and swirls and dinosaurs and kitty cats and Latin mottoes. In the end, though, with an eye on the clock, I settled on the simplest embroidery I could think of: running stitch.

Running stitch is the first stitch most people learning to sew or embroider learn. Even people who have never held a needle recognize it as “sewing.”

There is no easier stitch to work. You come up at A, you go down at B.

step-01

Then you continue, working right to left (unless you’re left handed) taking identical stitches until you have a dotted line as long as you like. Up at C, down at D.

step-02

You can make your stitches (and the spaces between) even or uneven. In the interest of simplicity and speed, I elected to go with stitches and spaces all equal to the width of one stitch.

And I determined that I would work them in blocks made of staggered rows, moving up one row with each line of stitching.

step-03
The Schoppel-Wolle Edition 6 is one jolly, slow blend color after color, and I wanted some of each color in the sweater. In a piece this tiny, that meant unwinding the ball into a bunch of mini-balls. If I hadn’t done that, I doubt I’d have used all of the first color in the ball.

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With the palette ready, all I did was choose a color at whim and work it into a block that might be fat, skinny, tall, short–it didn’t much matter. There was no real plan, no thought of symmetry.

sleeve-detail-01

detail-fronts

detail-back

I wanted the end to have some of the cuckoo joy of crazy quilting (another current obsession).

aerial-back

Closure

I consulted Upstairs Baby’s parents about the question of closure–would they prefer buttonholes (as written in the original pattern), ties, or loops? They chose loops.

So next time–in two weeks–I’ll show you how I decided to make the loops, and give you my version of the pattern.

aerial-front
I think I have enough time and yarn to add some additional embroidery (bringing the color up into the yoke) and make a matching hat, too. What do you think?

Dinner with Franklin at Makers’ Mercantile: February 20!

burien-caresI’m wildly excited to be making an in-person visit to Makers’ Mercantile on February 20, for a dinner to benefit the shop’s local animal rescue society and shelter, Burien C.A.R.E.S. . We will have merriment and frivolity and good food and piles of fun. Rumor has it we may even have a visit from some furry friends.

For information and tickets, click here!

Tools and Materials Appearing in This Issue

Zitron Gesa & Flo Yarn (100% Ultra Fine Merino. 98 yards per 25 gram ball) shown in Color 08, Pastel Lavender.

Schoppel-Wolle Edition 6 Yarn (100% Merino extrafine Superwash wool; 328 yards per 50 gram ball) shown in Color 2296, English Garden)

About Franklin

Designer, teacher, author and illustrator Franklin Habit is the author of It Itches: A Stash of Knitting Cartoons (Interweave Press, 2008). His newest book, I Dream of Yarn: A Knit and Crochet Coloring Book was brought out by Soho Publishing in May 2016 and is in its second printing.

He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.

Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue KnittingYarn Market News, Interweave KnitsInterweave CrochetPieceWorkTwist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.

He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).

Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.

Follow Franklin online via Twitter (@franklinhabit), Instagram (@franklin.habit), his Web site (franklinhabit.com) or his Facebook page.