I really enjoy reading and collecting knitting books, but I have a special place in my heart – and on my craft room shelves – for stitch dictionaries. Several months ago, when I first saw the announcement about Interweave’s new book Alterknit Stitch Dictionaryby Andrea Rangel, I immediately got excited and knew it would soon become part of my library. Like most people in this industry I have a craft room in my home, complete with shelves upon shelves of books. Vintage and new stitch dictionaries share the shelf, and for the most part, they offer traditional or traditional-inspired motifs. When this book arrived, I realized it was unlike the majority of books in my collection.
Flipping through the book for the first time, I was impressed with the wide array of Andrea’s color-work charts. Being a pretty conservative guy, I definitely enjoyed seeing her version of standard, classic geometric motifs. What really surprised me, was how much I enjoyed and was inspired by her less conventional designs! She has masterfully addressed more contemporary shapes and filled the pages of this book with unexpected patterns.
Motifs such as the Escher-inspired bats (page 70) could easily become a pattern on socks or gloves!
When I turned to the Broken Shield chart (page 89), I imagined a fun blanket with blocks of this pattern in in different colors. I like how the lines play with each other in this design… it’s such a neat optical illusion.
…and then things got really fun! I have never seen a pattern book with a “Poopin’ Pig” chart in it (Page 115)! Andrea, you’ve really made some designs that made me smile!
She has truly included options for all knitters!
The book then goes a step further and offers several full patterns that incorporate some of her motifs – included are mittens, a hat, a cowl, and a couple sweaters.
I think what I like most about stitch dictionaries is that they inspire me to think. To think about what I would make for myself with a certain motif or who would be the perfect recipient for the wacky Poopin’ Pig design! This book really is full of inspiration, and judging from how inspired I am after spending an afternoon reviewing its offering, I’m certain it will guide me from project to project for years to come!
Chuck Wilmesher is the Director of New Product Development for Skacel Collection based just outside of Seattle, WA, and spends his days working to create new products for us to enjoy. He is also an avid knitter and fiber fanatic.
It’s a rainy afternoon in September in Kentucky. I’m busy finishing a hat for a birthday, Cee Cee is tucked in on the couch stitching a cat and we are watching Tales of the Green Valley. We had the felt out earlier practicing stitching and working out an idea for a cat, but more about that later. We are enjoying a quiet afternoon together…. making stuff is our favorite.
Some of you have followed Cee Cee since she started Elephants Remember Joplin (how has that been over six years already?!) And some of you are just friends we haven’t met yet. We are so excited to be part of the Makers’ Mercantile family. We’ve been planning projects, working on blogging, creating a crafty bucket list…it’s going to be so much fun! Cee Cee is so inspired by being the Teen Craft Ambassador for Makers’ Mercantile (and how awesome is it when adults empower young people and listen to their ideas and help them grow?) We spend lots of time together…and lots of time making things, and now we have the opportunity to share the fun with you!
We want to inspire you to make our projects… we’ve all had cheap kits and ideas that looked great but couldn’t be done. We want to share quality projects that are fun to do. We want to learn new skills and share with others.
So welcome to Craft Corner… even the name comes from mother/daughter crafting. My Mom had a shop on the Main Street of our little town when I was a teenager, and it was called Craft Corner. I spent lots of time there with my Mom, and lots of time creating!
We hope that you will join us as we find projects for teens and tweens and great projects to do with your Mom, Dad, daughter, son, or friend. The only thing more fun than making stuff is making stuff together!
-Belinda (and Cee Cee!)
Cee Cee Creech is growing up in a home full of creativity. Mom BeLinda loves making things, and Cee Cee loves it too. In 2011 Cee Cee changed their lives when she wanted to knit elephants to comfort the residents of Joplin, MO after a tornado destroyed their town.
This mom/daughter team has raised thousands of dollars, and made/distributed toys for charities all of the world. Today, Cee Cee is a high school student, curious maker, and the teen craft ambassador for Makers’ Mercantile. Follow their adventures on the Craft Corner.
I almost feel as though this week I should begin with an apology for the lack of drama in what follows.
I try to give you a good read, truly I do, with laughs and thrills and the occasional car chase; but you can’t, as my grandmother famously said while on a date with Mick Jagger, always get what you want.
There are knitters who steer clear of making purses and bags on principle, just to avoid woven linings. This is a great pity. A knit or crochet bag with a woven lining will be stronger and more durable, less inclined to droop and pull out of shape, and less liable to catch and snag everything you put into it.
And sewing is not (or at least, need not be) the trauma some think it is. A simple bag lining is about as simple as sewing gets. More about that in a minute.
Make It Snappy
Now, the “official” pattern that comes with cage purse kits is available as a free download from Makers’ Mercantile. I used it as my guide for designing a lining of my own, and as usual I decided to make some adjustments. I don’t think I’ve ever followed anyone’s pattern exactly as written.
I decided to install the snaps, which are included with the cage,
before sewing in the lining, whereas the pattern suggests you do the reverse. On your purse, you choose.
If you’ve never put in a snap before, rest assured these are a breeze. Since my bag was quite freeform at the top, I put it into the cage to see exactly where the male* halves of my snaps (pictured above) needed to be in order to line up with the female* halves of the snaps on the cage (which come already installed). I marked these spots on the liner with locking ring stitch markers.
Then you make a little sandwich with each snap, one by one, like this…
…with the post on the back of the snap stuck right through the knitted fabric.
Then you place the cylinder tool…
over the nubbin on the front of the snap, and tap the cylinder with a hammer. I do mean tap. Brute force is not required. It took me two modest taps to get each snap set firmly. Boom.
The knitted portion of my liner being thus completed, it was time to add the woven lining.
Line It Up
The official pattern for the cage purse gives full instructions for this part of the project, so I’ll confine myself to a few notes about linings generally.
First. Use the best woven (as opposed to commercial knit/jersey) fabric you can afford. It need not be expensive; but if you have the choice, buy from a reputable retailer who carries reputable lines.
If you buy in person, give the fabric a good fondle and a few firm tugs. If it looksflimsy and feels sleazy, if the printing is muddy, if it seems inclined stretch out of shape easily, if you can read a comic book through it, it probably won’t stand up well to the demands placed on a handbag. It may, in fact, fall apart as you sew with it. Fabrics whose standard retail prices are super cheap are usually super cheap for good reason.
…because in my social circle, it’s inevitable that whoever gets this purse is going to stuff it with balls of yarn. She will probably also have at least one cat.
Second. Don’t skimp on the preparatory steps.
Sewing has a different flow than either knitting or crochet. Both knitting and crochet consist, in the main, of knitting and crocheting. Other stuff–seaming, blocking, weaving in–comes in at the end. We front-load the fun. Sewing insists that you begin with planning, measuring, cutting, pinning. It takes time to get to the sewing part of sewing.
This feels ass-backwards somewhat odd to those of us who knit and crochet.
Listen. If you hate the preliminary steps, that’s okay. Acknowledge that. Embrace that. Then take a breath and do them anyway. It may help to have a good friend supervise you.
Since my liner pattern was something I cooked up myself, I measured the end product to be certain it would accommodate the lining described in the official pattern. Turns out my liner was a smidge taller and a smidge narrower. I adjusted my cut pieces accordingly.
Third. Don’t let unfamiliar techniques frighten you.
When I teach Introduction to Hand Sewing, we end our class project with slip stitch–the same stitch that joins the woven lining to the knitting liner. Students often approach slip stitch with trepidation because it looks like a magic trick. You sew and sew, and when you’re finished you can’t see the sewing. You just have two fabrics that are now joined, invisibly.
And you can do it. Yes, you can. Most of what used to be called plain sewing–the toolkit of handmade stitches necessary to turn out everyday items–was taught as a matter of course to little girls for centuries.
Are you going to let some little Dickensian imp in a dirty pinafore sew circles around you?
Here is all there is behind the “magic” of slip stitch.
After the lining pieces have been sewn together, turn and press the lining fabric to the wrong side as directed in the pattern.
Place the liner inside the lining…
…and secure it with a generous number of straight pins so that you can focus on your stitching.
Thread your sewing needle with a coordinating thread, and tie a stout knot at the end.
Bring the needle up through the fabric at point A, which you will notice is right on the fold of the lining. (Alternatively, especially if the ghost of my late grandmother is watching you, instead of using a knot you may secure the beginning with a series of tiny stitches at point A. This is called a “tack.”)
Take a small stitch in the liner (knitted) fabric at Point B (directly above Point A, near the top edge of the woven lining). Note: My stitches into the liner all went around–rather than through–strands of yarn, as this felt more secure than splitting strands with the sewing needle.
Take a horizontal stitch into the fold+ of the woven lining by putting the needle in at Point C and out at Point D.
Take a horizontal stitch into the knitted liner from Point E to Point F, near to and parallel to the top edge of the woven lining.
Repeat Steps Three and Four all the way around the liner. Every few stitches, gently pull the thread to even out the tension of the sewing stitches. You want the lining to lie smooth against the liner– don’t pull so hard that puckers begin to form. When the seam is complete, fasten off with a discreet, small tack in the woven lining.
+Some say just behind the fold. Your choice. In sewing, as in knitting and crochet, there are many paths to the same destination.
In the Bag
What else can I say? I’m really pleased with it. I wanted the sinuous lines of the short rows to wiggle and play against the straight edges of the cage, and they do.
It could be about an inch bigger all around at the base, to really fill up the cage; but that’s about all I’d change.
What’s more: as the liner is held to the cage with snaps, it can be removed and replaced with any number of other linings whenever inspiration strikes or your mood changes.
It didn’t even take long to knit–comparable to a hat. I’m already thinking of other liners–crocheted, embroidered, woven. And other yarns, too. These were all left over from previous Fridays with Franklin projects, but they could have been:
assorted lengths of handspun…
souvenir yarns collected on a memorable trip…
the leftover yarn from a favorite sweater for a matching sweater/purse combo
bits of yarn (and blobs of knitting) contributed by a members of a group to make a special farewell or birthday gift…
And the yarns you put into a cage liner are right there, with you, visible and useful. A souvenir afghan is lovely, but it usually has to stay at home. Not to mention that the usual everybody-knit-a-square afghan requires a lot of work and a mountain of yarn. A souvenir/commemorative cage purse is well within the grasp of knitters or knitting groups who are short on cash, pressed for time, or just plain lazy.
The next Fridays with Franklin will be the first in which I get to use a vise and power tools. That’s all I’m telling you right now. Nope, sorry. My lips are buttoned.
*I’m not trying to be cute. That’s what they’re called.
He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.
Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.
He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).
Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.