Cro-Cork Bag Pattern

Vickie Howell is back again with an gorgeous and fun to make bag using CoBaSi plus; a wool-free, durable yarn, and fabric made with cork! Not only is cork a renewable resource, it’s also water and stain-resistant, making it an ideal base for this carry-all-tote! Gather your materials by visiting our online shop and make one or two of your very own!

Cro-Cork Bag
by Vickie Howell for Makers’ Mercantile

IMG_1021.JPGMATERIALS

FINISHED SIZE | 13”/33 cm Wide x 11 ½”/29 cm Tall — excluding handles

ABBREVIATIONS

ch = chain
dc = double crochet
hdc = half-double crochet
rnd(s) = round(s)
RS = right side(s)
sl st = slip stitch
st = stitch
WS = wrong side(s)

DIRECTIONS

Cork Bag Bottom:

  • Cut 14” x 14”/35.5 cm x 35.5 cm piece of cork fabric.
  • Fold piece in half with WS together, machine sew side seams using a 1/2”/1.25 cm seam allowance.
  • Create the “box” bottom, by centering side seams with the bottom center fold. Pinch it together and lay it on your work surface. Use a ruler and measure up 2”/5 cm from the point of the fabric and draw a line. Machine sew along line. Repeat for opposite side. Turn bag bottom RS out.

 Crochet Bag Top:

  • Using measuring tape and pen, mark dots every 1/4”/.5 cm down from top edge, and 1/4”/.5 cm around perimeter.
  • Using sharp tapestry needle, yarn, and using dots as a guide, create a Blanket Stitch (see video) border around top edge.
  • Crochet bag top as follows:

Join yarn at a loop at side edge created by Blanket stitch.

Rnd 1: Ch 2, hdc in next Blanket Stitch and every st around; join rnd with a sl st at the top of beginning ch. Turn.

Rnd 2: Ch 3, dc in next st and every st around; join rnd with a sl st at the top of beginning ch. Turn.

Rnd 3: Ch 2, hdc in next st and every st around; join rnd with a sl st at the top of beginning ch. Turn.

Repeat Rnds 2-3 until piece measures 6”/15 cm from cork fabric edge.

Repeat Rnd 3, once more.

Fasten off.

Make Strap Tabs:

Measure 2 1/2”/6.5 cm in from side edge, join yarn.

Rnds 1-3: Ch 2, 4 hdc. Turn.
Fasten off, leaving long tail for seaming.
Repeat process on opposite end of same side, then twice on opposite side of bag. (Four total tabs.)

Straps (Make 2):

  • Cut 4, 1 1/4”/3 cm x 27”/68.5 cm pieces of cork fabric.
  • With WS together, top stitch two pieces of cork together. Repeat with remaining 2 pieces.

 FINISHING 

  • Using yarn tail and needle, fold Strap Tab over O-ring and seam down.
  • Fold one end of one strap around O-ring, machine sew in place.
  • Repeat last two steps for remaining 3 Strap Tabs.

 Weave in ends.

 

Happy Making!

Cage Match, Part One

fwf-logo-v11It scarcely seems possible, but by the close of this series we will have reached the fiftieth installment of Fridays with Franklin. Fifty! Can you imagine?

I was flipping through my binder of shade cards from Makers’ Mercantile looking for the next yarn to play with when my elbow knocked over a little basket of yarn that was sitting on the work table. Odd balls of yarn spilled all over the floor. Or they would have, if they’d hit the floor. Instead they spilled all over the four open boxes on the floor that were already full of other odd balls of yarn. You couldn’t actually see the floor.

It appears that nearly fifty columns full of knitting, crochet, and weaving have landed me with quite the buffet of leftovers.

That’s not something to cry about, I know; but please keep in mind that I live in a large city and do my work in a very small room. How small? Not much larger than the footprint of a king-sized bed. It is crammed, absolutely crammed, with things I need. Here, I’ve drawn you a little plan:

fwf-47-workroom

Of course, what you don’t see in the plan are the things I have hanging from the walls and ceiling, including my Schacht Cricket Rigid Heddle Loom, my card weaving loom from John Mullarkey, my swift, my project bags full of things in progress, and other hanging bags full of weaving, spinning, and embroidery tools. Every inch is spoken for.

I try to keep leftover yarns organized and sorted into the bins under the bed in the next room. That’s the place where, by mutual agreement, my stash lives. If it won’t fit under the bed it has to leave the apartment. Fortunately, it’s a big bed. Good intentions don’t sort skeins, though; so I have a perpetual backlog on the workroom floor. The prettiest little tripping hazard you ever saw.

Seeing as we’re celebrating a milestone of sorts with this adventure, I think it’d be fun (and prudent) to hold back from ordering new stuff and make use of what’s already to hand.

fwf-47-yarnbowl

Talk about memory lane.

There’s HiKoo Simpliworsted here from The Adventure on the Floor (the crocheted mat) and The Adventure of the Warm Puppy and The Adventure of the Transparent Excuse to Show You More Pictures of My Adorable Dog (sweaters for Rosamund).

There’s HiKoo Rylie from The Adventure of the Scarf That Ate the World (and the Into the Hoods interlude that followed).

There’s HiKoo Kenzie and also HiKoo Kenzington from The Adventure of the Stealth Blanket (the Ohio Star quilt-inspired afghan and pillow).

There’s Schoppel-Wolle Leinen Los from The Adventure of the Little Poser.

And that’s just the top layer.

These are wildly different yarns, in wildly different fiber blends, constructed in all manner of methods from chainette (Kenzington) to felted singles (Leinen Los).

Pushing the pile around didn’t give me fun ideas for using them all together. An obvious choice would have been some sort of scrap blanket, but one of the yarns (Leinen Los) isn’t really well suited to that. A scrappy shawl might be fun–but a shawl made with a significant quantity of hefty Kenzington might suffocate you.   

Then I got a note from one of my friends at Makers’ Mercantile in which she mentioned one of their most popular kits–the Cage Purse. You may well have seen a friend with one of these, or you may well have one yourself.

The cage bit…

fwf-47-cage-full

…comes ready to use. The fun is knitting (or crocheting) a liner for it. The open cage supports your work, which means you don’t have to resort to felting in order to get a bag that won’t droop and sag when you fill it. And because it’s a cage–well made from good leather and handsome, sturdy rivets…

fwf-47-cage-detail

…whatever sort of liner you create is beautifully shown off.

Makers’ Mercantile sells the cages as part of several kits (like this Brown Kit, or the Red Kit shown below) – each with yarn, pattern, and fabric for a lining…

399041_20170531154848
…or you can buy just the cage (in a choice of colors such as Basil) and use your imagination. That’s what I decided to do.

The Amazon Arrows cowl in our last adventure

fwf-46-a-after-button-detail

…had so much going on (miters! shadow knitting! duplicate stitch! I-cord!) that I felt this piece ought to be as simple as possible. When you have four very different, eye-catching yarns in eight or ten colorways all smooshed together, I think it’s unwise to make the structure of the fabric complicated as well.

So, what’s the least complicated knit fabric? Probably garter stitch: when working flat, knit all stitches and all rows. I cast on for a small swatch…

fwf-47-aerialswatch

…and within a few inches I got that tingle in my chest that either means I’m onto something I like, or that I shouldn’t eat half a pan of brownies right before bed. I hadn’t been eating brownies.

This is nothing but garter stripes with changes from yarn to yarn at will. Most of the colors are fairly closely related (clearly I have a thing for purples and blues), but as we noted the yarns themselves are strange bedfellows. And I like that. The fabric was looking good, and the swatch was (brace yourself) fun to knit. Truly fun.

When you find yourself smiling at a swatch, that’s a good sign.

I sketched out what I needed to make. Pretty simple, really.

fwf-47-bagsketch

All that remained before calculating my cast-on numbers was a plan for how to make that happen. There were two obvious options.

Option 1…

fwf-47-option-01

…was flat construction. Knit panels and sew them together. That would make sense, as garter stitch is a natural result of flat knitting. I don’t mind sewing–it’s quite fun, really, once you know a little bit about what you are doing–and the side seams would give the bag some structure.

On the other hand, a seam sewn in a fabric with this many yarns would never be invisible. Not a deal-breaker, but a point to consider. It also might be tricky to sew a good seam when joining panels where two very different yarns are meant to align at the selvedges. In fact, just getting all four sides to be exactly the same length might be a challenge.

Option 2…

fwf-47-option-02

…was primarily circular construction. Knit the bottom as a flat panel, then pick up and knit around the edges and work the body of the bag in the round. Without doing anything special at the corners, this bag would have softly contoured sides. It might be possible to give those corners a touch more definition using Elizabeth Zimmermann’s “phoney [sic] seams” technique–slipping the corner stitches every other round.  There would be no sewing. But every other round, in order to make garter stitch, would have to be purled.

Either way, we’re talking about a ton of ends to weave in. Happily, I like weaving in ends.

So, what to do?

See you in two weeks!

Tools and Materials Appearing in This Issue

Makers’ Mercantile Leather Cage Purse available separately or as a kit
addi® Olive Wood Circular Needle available in fixed and interchangeable varieties
Schacht Cricket 15-inch Rigid Heddle Loom
HiKoo Simpliworsted (55% Merino Wool, 25% Acrylic, 17% Nylon. 140 yards per 100 gram hank)
HiKoo Rylie (50% Baby Alpaca, 25% Mulberry Silk, 25% Linen. 274 yards per 50 gram hank)
HiKoo Kenzie (50% New Zealand Merino Wool, 25% Nylon, 10% Angora, 10% Alpaca, 5% Silk Noils. 160 yards per 50 gram ball)
HiKoo Kenzington (60% New Zealand Merino, 25% Nylon, 10% Alpaca, 5% Silk Noils. 208 yards per 100 gram hank)
Schoppel-Wolle Leinen Los (70% Wool, 30% Linen. 328 yards per 100 gram ball)

About Franklin

Designer, teacher, author and illustrator Franklin Habit is the author of It Itches: A Stash of Knitting Cartoons (Interweave Press, 2008). His new book, I Dream of Yarn: A Knit and Crochet Coloring Book was brought out by Soho Publishing in May 2016 and is in its second printing.

He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.

Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue KnittingYarn Market News, Interweave KnitsInterweave CrochetPieceWorkTwist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.

He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).

Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.

Follow Franklin online via Twitter (@franklinhabit), Instagram (@franklin.habit), his Web site (franklinhabit.com) or his Facebook page.

Fridays with Franklin Afternoon Addendum: The Adventure of the Llama on the Corner, Concluded

So.

This morning, when what was to have been the final word on the mitered, shadowed HiKoo Llamor cowl appeared online, I took a fresh look at that duplicate stitch embroidery.

fwf-46-dupstitch

It was…fine. Scattered around like speckles, albeit speckles (as I wrote) speckles for a control freak, since I was able to put them exactly where I wanted them.

Fine is fine, but don’t you hate settling for fine?

On a human neck–because that’s where a cowl counts–the piece as a whole had some of the verve I wanted, what with the happy jumble of stripes going every which way.

fwf-46-a-before-neck

But the duplicate stitches in pink, the color I loved best, the key to everything, weren’t doing much. A strong color should not make a feeble show.

I ripped ’em all out and started again. This time, I echoed the triangles in the knitting with the embroidery, all the way down the line.

fwf-46-a-flat

That was more like it.

Now, as far as I’m concerned, the piece is finished. Maybe another adjustment here or there; but the embroidered triangles are amplifying the iridescent effect I was hoping to create with the use of shadow shadow knitting.

fwf-46-a-after-button-detail

I am not displeased. I think this might even be worthy of writing up a pattern, if folks are interested.

I’m going to call it–in honor of certain Amazon princess and her countrywomen–“Amazon’s Arrows.”

It’s not a tough knit at all, you know. Any advanced beginner should be able to handle it readily, and seasoned pros might enjoy the novelty of the construction. What do you think?

fwf-46-a-after-neck-detail

And now…back to work on our next adventure. See you in two weeks!

Tools and Materials Appearing in This Addendum

HiKoo® Llamor (100% baby llama; 109 yd per 50g ball), available in the Peruvian Palette, the Natural Palette, and the Carnival Palette
Skacel Buttons from the Corozo, Agoya Shell, and Horn lines
addi® Olive Wood Circular knitting needles used to work the entire project

About Franklin

Designer, teacher, author and illustrator Franklin Habit is the author of It Itches: A Stash of Knitting Cartoons (Interweave Press, 2008). His new book, I Dream of Yarn: A Knit and Crochet Coloring Book was brought out by Soho Publishing in May 2016 and is in its second printing.

He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.

Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.

He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).

Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.

Follow Franklin online via Twitter (@franklinhabit), Instagram (@franklin.habit), his Web site (franklinhabit.com) or his Facebook page.

 

The Adventure of the Llama on the Corner, Part Five

fwf-logo-v11For an introduction to what goes on in this column, click here.

For the first part of this adventure, click here.

I find that so often that the finishing touches on project can make or break it.

After weeks of fooling about with the structure, the mitered shadow cowl in HiKoo Llamor had reached full length.

fwf-46-aerial-scrunchy

But it was missing something.

This pink (1775):

fwf-46-pinknowriting
Before I go any further, remember that color choices are always personal. You may look at that pink and cringe. You may hate all pinks, or that pink in particular. You may look at the full length of the cowl and feel that there is already, if anything, too much color packed into it without adding more.

fwf-46-knitting-finished

To my eye, though, these foreground colors–unto and including the orange (1752)–are all muted. Dimmed. Pretty, but subdued. My intent was a piece full of energy. The crowd needed a brilliant party-starter to wake it up. Therefore:

fwf-46-pinkwriting

My first thought was to throw one ridge of the pink into a garter border running right round the edges. A test showed pretty quickly that even a narrow border like that…

fwf-46-edge-reject

…was too much. Too heavy, visually, for the piece. There’s so much pattern in the center that even garter stripes at the edge were de trop. I wanted a party. Not a riot.

Yet–is there not always a yet?–the cowl needed an edge treatment. Not only for color, but–is there not always a but?–for structure. HiKoo Llamor, being 100% baby llama, is buttery soft and superbly warm. It also drapes like crazy. That’s fabulous, unless the drape is so uncontrolled that the cowl sags around the neck like a wet rag and all the fancy mitering and shadowing has been for nothing.

I turned to an old ally, applied I-cord.

fwf-46-appliedcord

There. Yes. Color (but not too much) and structure.

fwf-46-jellyroll

I Need Closure

This was supposed to be a cowl, not a scarf, so it needed to close into a tube. That meant buttons. Lucky for me, Makers’ Mercantile is gearing up to present the entire (gigantic) line of Skacel Buttons.

Skacel Buttons is a new enterprise, so I was given special permission to dip into stock before it became generally available. If you want to see the full range, you can get a peek herebut do please keep in mind that you’re looking at a wholesale site. This means you can’t order directly from Skacel. If you see something you like, and you will, ask your favorite yarn, craft, or sewing retailer to order for you. The lines have just hit the market this season, so they’re ready when you are.

I asked to play with four different styles.

From the Corozo line…

fwf-46-round-buttons

From the Agoya Shell line…

fwf-46-shiny-buttons

From the Horn line…

fwf-46-big-buttons

fwf-46-carved-buttons

And engaged in the time-honored custom of laying them on the fabric and pushing them around and squinting…

fwf-46-buttons-compared

…until I determined that the iridescence, shape, and color of the Agoya Shell buttons were just right. Interesting, eye-catching, yet quiet enough to play second fiddle to the yarn.

I churned out a little more of the I-cord, unattached,

fwf-46-cordloops

to create three button loops. Everything got sewed on.

 

fwf-46-buttonloops

And, done! Well. Sorta done! Not quite done.

Because now the pink at the perimeter was so very pink that the center was sunk into gloom. It needed a lift.

fwf-46-no-embroider

Out came the tapestry needle. I spent a pleasant hour duplicate stitching  random bits of pink into the stockinette stripes of the rectangles. Think of it as speckled yarn for control freaks.

fwf-46-dupstitch

Better.

Success?

fwf-46-finished-folded

Hmm.

When the cowl is worn, the flickery effect of the shadow work appearing and disappearing isn’t as pronounced as I hoped, though it’s certainly there.

fwf-46-worndetail

I think my ultimate idea–a blanket–might show it off more because there’d be more surface area.  On the other hand, the color work is handsome enough that I don’t feel too crushed. But still…it needs…

Wait a minute. Wait wait wait. This will be the first Fridays with Franklin with an Afternoon Addendum. Yes.

Our next adventure starts in two weeks. But I’ll be back here in a few hours. I need to go get my scissors.

 

Tools and Materials Appearing in This Issue

HiKoo® Llamor (100% baby llama; 109 yd per 50g ball), available in the Peruvian Palette, the Natural Palette, and the Carnival Palette
HiKoo Kenzie (50% New Zealand Merino Wool, 25% Nylon, 10% Angora, 10% Alpaca, 5% Silk Noils; 160 yd per 50g ball) – used as the background in the button photographs
Skacel Buttons from the Corozo, Agoya Shell, and Horn lines
addi® Olive Wood Circular knitting needles

About Franklin

Designer, teacher, author and illustrator Franklin Habit is the author of It Itches: A Stash of Knitting Cartoons (Interweave Press, 2008). His new book, I Dream of Yarn: A Knit and Crochet Coloring Book was brought out by Soho Publishing in May 2016 and is in its second printing.

He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.

Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.

He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).

Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.

Follow Franklin online via Twitter (@franklinhabit), Instagram (@franklin.habit), his Web site (franklinhabit.com) or his Facebook page.

The Adventure of the Llama on the Corner, Part Four

fwf-logo-v11

For an introduction to what goes on in this column, click here.

For the first part of this adventure, click here.

Looking at my little heap of Hikoo Llamor shadow knit mitered squares–version 2.0–I found myself wanting to simplify the piece even further. 

These squares made less noise, but they were still squares I’d need to sew together. No matter how I might arrange them, seam lines would be a distraction.

small-sq-pile

Turning over ideas, I noted that if you make a mitered square like this:

miter-square

then it stands to reason that you make a mitered rectangle like this:

miter-rectangle

and that could be interesting. (If you’re unfamiliar with the basic principle behind the mitered square in knitting, take a look at Part Two of this adventure.)

I intended the cowl to be two mitered squares high. Working each pair of squares as a single mitered rectangle would eliminate half the seams while giving me the same changes in grain. Groovy.

The effect in shadow knitting, viewed from the long edge, should be a large central triangle in a solid color, while the smaller triangles at either side would be in stripes.

rectangle-bottom

Viewed from the short edge, the same rectangle should offer small colored triangles flanking one large striped triangle.

rectangle-side

This is an arrangement quilters will recognize as the classic block “Flying Geese.”

fwf-45-geese

At the end of the first rectangle, I goofed around with attaching the next rectangle seamlessly. The first go was…weird. It was one of those times when theory was fine…

increase-theory

…but the reality was a mess.

fwf-45-mess

On the other hand, that mess has gone into my files for use in another project. When you try something new and it fails, take careful notes before you rip or cut or throw the whole thing out the window. I cannot tell you how many times Tuesday’s sad snarl has become the basis for Wednesday’s cover story.

Once I’d hit on a solution for the seamless join, I started fiddling with other details as the swatch progressed:

  • I mixed the colors to see what they do to each other.
  • I decided after some to make all the spine stitches in stockinette (even in the garter stitch stripes) to preserve the sharp line of the double decrease. I like the way it boldly divides the central triangle from the smaller triangles.
  • I fretted over the selvedges. They’re important to me. I wanted the upper and lower selvedges to be neat (of course) and also wanted them to match; and, if possible, I wanted them to be genuinely handsome, possibly even a design feature.

My swatch grew until it was nearly the length I needed for the finished cowl.

fwf-45-swatch

By this point, my yarns had been knit, ripped and cut so much that I ordered up a fresh pile of Hikoo Llamor. I worked out my color order. The foreground colors are the top line, the background colors are the bottom line.

llamor-palette

You’ll note that the hot pink–aptly named Rosa Fuerte, number 1775 from the Carnival Palette–is outside the line. That’s because it’s going to come into play as an accent and liven things up.

As I write this, the body of the cowl is nearing completion. I’m pleased to see the shadow effect is working pretty much as I had hoped.

Here it is from the top…

fwf-45-strip-top

…from the side…

fwf-45-strip-side

…and from the end.

fwf-45-strip-end

That means trim and finishing, and the final verdict on this experiment, are all that’s yet to come–in two weeks.

Tools and Materials Appearing in This Issue

HiKoo® Llamor (100% baby llama; 109 yd per 50g ball), available in the Peruvian Palette, the Natural Palette, and the Carnival Palette
addi® Olive Wood Circular knitting needles

About Franklin

Designer, teacher, author and illustrator Franklin Habit is the author of It Itches: A Stash of Knitting Cartoons (Interweave Press, 2008). His new book, I Dream of Yarn: A Knit and Crochet Coloring Book was brought out by Soho Publishing in May 2016 and is in its second printing.

He travels constantly to teach knitters at shops and guilds across the country and internationally; and has been a popular member of the faculties of such festivals as Vogue Knitting Live!, STITCHES Events, the Maryland Sheep and Wool Festival, Squam Arts Workshops, the Taos Wool Festival, Sock Summit, and the Madrona Fiber Arts Winter Retreat.

Franklin’s varied experience in the fiber world includes contributions of writing and design to Vogue Knitting, Yarn Market News, Interweave Knits, Interweave Crochet, PieceWork, Twist Collective; and a regular columns and cartoons for Mason-Dixon Knitting, PLY Magazine, Lion Brand Yarns, and Skacel Collection/Makers’ Mercantile. Many of his independently published designs are available via Ravelry.com.

He is the longtime proprietor of The Panopticon, one of the most popular knitting blogs on the Internet (presently on hiatus).

Franklin lives in Chicago, Illinois, cohabiting shamelessly with 15,000 books, a Schacht spinning wheel, four looms, and a colony of yarn that multiplies whenever his back is turned.

Follow Franklin online via Twitter (@franklinhabit), Instagram (@franklin.habit), his Web site (franklinhabit.com) or his Facebook page.

Artfelt Masterpieces created by Artists at Wyoming Middle School!

Recently, an art teacher from Wyoming Middle School, Ms. Williamson, reached out to us to show what her creative and talented art students did this year, using Artfelt®! These beautiful masterpieces were hand made students in Grades 7 and 8!

In no particular order, look at what they’ve done!:

Wyoming Middle School Artfelt, Andreana, Grade 8

Andreana, Grade 8

 

Wyoming Middle School Artfelt, Margaret, Grade 7

Margaret, Grade 7

 

Wyoming Middle School Artfelt, Colin, Grade 8Colin, Grade 8

 

Wyoming Middle School Artfelt, Skya, Grade 8Skya, Grade 8

 

We are inspired, and we hope that you are, too! Thank you to Ms. Williamson and her students for sharing their work, we are truly amazed. Have a fabulous summer!

 

Supplies used in this post:

Want to try your hand at Artfelt? Browse and buy Artfelt supplies, here.

Makers’ with Vickie – How to Back Knit & Crochet Button Bands with Ribbon!

https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2Fvickiehowell%2Fvideos%2F1232815586826988%2F&show_text=0&width=560

Below is the pattern that she is going over, and links to all supplies are included below! Happy Making!

Corner to Corner Cushion

by Vickie Howell

MATERIALS

HiKoo Zumie (30% wool/50% acrylic/20% nylon; 110 yds), in colors: (A) 2 Hanks Aqua Dolce, and (B) 1 Hank Laurel

Size 10mm Addi Plastic Crochet Hook —or size needed to obtain gauge

Approx. 1/2 yd. of Wide Ribbon. Shown in: Tula Pink Chipmunk on Turquoise.

4, 28mm Buttons

Tapestry Needle

Sewing Needle and Coordinating Thread

14”/35.5 cm Pillow Form

Optional: Craft Knife, Fabric Glue

SIZE

14”/35.5 xm square

FINISHED MEASUREMENTS

14” x  34”/35cm x 86 cm

GAUGE

8 dcs x 3 rows = 4”/10 cm

DIRECTIONS

For this project you’ll be using the Corner to Corner (c2c) method as follows: begin with a block of dcs (double crochet stitches), adding a block every row to increase, work as rectangle by increasing on one side/decreasing on the next, then reversing the process to decrease. To learn how to c2c crochet, go here: (https://vickiehowell.com/2017/05/two-ways-crochet-corner-corner/)

With A, ch 6.

Increase section:

Row 1: Dc in 4th (counts as dc) ch from hook, and in next two chs. Turn. –1 block (4 dcs)

Row 2: Ch 6, dc in 4th ch from hook (counts as dc), and in next two chs, sk 3 dcs, sl st in space between 3rd and 4th dc, ch 3 (counts as dc), 3 dc in same space as ch 3. Turn. — 2 blocks

Row 3: Ch 6, dc in 4th ch from hook (counts as dc), and in next two chs, *sk 3 dcs, sl st in space between 3rd and 4th dc, ch 3 (counts as dc), 3 dc in same space as ch 3; rep from * to end. Turn. — 3 blocks

Repeat Row 3 until what will be your bottom/shorter edge measures 14”/35.5 cm (or desired cushion width.)

Cut A; Join B.

Body:

From here, you need to create length without width. To do so, you’ll continue as established ONLY increasing on one side, while at the same time decreasing on the OPPOSITE side of the increase edge.

With B,

Row 1: Ch 6, dc in 4th ch from hook (counts as dc), and in next two chs, *sk 3 dcs, sl st in space between 3rd and 4th dc, ch 3 (counts as dc), 3 dc in same space as ch 3; rep from * to last block, sl st in space between 3rd and 4th dc. Turn.

Row 2: Sl st in first 3 dcs, sl st in space between 3rd and 4th dc (first block decreased), ch 3 (counts as dc), 3 dc in same space as ch 3; rep from * to end. Turn.

Join A, cut B.

Work 5 more rectangle rows, or until piece measures 34”/86 cm on longest side and from bottom edge.

Decrease section:

Row 1: Sl st in first 3 dcs, sl st in space between 3rd and 4th dc (first block decreased), ch 3 (counts as dc), 3 dc in same space as ch 3; rep from * to end. Turn.

Repeat Row 1 until 1 block remains. Fasten off.

 

FINISHING

This piece is assembled, envelope style. Fold piece about 2/3 of the way up, and seam sides using tapestry needle and yarn.

Fold remaining top flap down and seam shut, leaving about 3”/7.5 cm of flap unsewn.

Buttons:

Using needle and thread, sew on buttons to correspond with space between dc post on four, of the horizontal dc blocks.

Ribbon Button Band:

  • Cut ribbon to width of flap with extra for side hems.
  • Using a pen, mark back of ribbon for size and spacing of buttons.
  • With a craft knife or scissors, cut button slits.
  • Whip stitch around OR use fabric glue to prevent slits from unraveling.
  • Hand-sew ribbon to underside of flap, taking care to line up slits to correspond with buttons.

Insert pillow, button up, and love your new cushion!

GET THE SUPPLIES

HiKoo Zumie:

Size 10mm Addi Plastic Crochet Hook

Addi-Plastic-Crochet-Hooks

Our Full Ribbon Selection

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View this Ribbon from Tula Pink!

Our Buttons

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Vickie Howell is a knitting & crochet ambassador, author, and the Host/Executive Producer of the upcoming, The Knit Show with Vickie Howell (October ’17). Stay in touch by following @vickiehowell

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